| |
|
| |
first assistant
director experience
(selected
work) |
| October
- December, 2008 |
"Skateland"
- Feature
1st AD - 2nd Unit
Brandon Freeman, 2nd Unit Director
Reversal Films |
| September
- November, 2007 |
"Wonderful
World" - Feature
Josh Goldin, Director
Ambush Entertainment |
| March
- May, 2006 |
"Showdown
at Area 51" - TV Movie
Matt Hastings, Director
Sci-Fi Channel/Nu Image |
| October,
2005 |
"The
Man In The Silo" - Short
Phil Donlon, Director
Under The Influence, Inc |
| February
- March, 2005 |
"The Pink
Plan" - Corporate Feature
Bruce
Terris, Director
Raygun Films/Mary Kay Inc |
| May
- July, 2004 |
"The
Trouble With Dee Dee" - Feature
Mike Meiners, Director
Cinemetro Films |
| January
- Februrary, 2004 |
"Bad
City " - Feature
Bruce Terris,
Director
Political Animal, LLC |
| September
- October, 2003 |
"Godfather
of Green Bay" - Feature
Pete
Schwaba, Director/Brian Etting, Producer
Godfather, LLC |
| October
- December, 2002 |
"Bad
Meat" - Feature
Scott Dikkers,
Director/Michael Hirsh, Producer
Chill-O-Vision |
|
| |
second assistant
director experience
(selected
work) |
| January,
2009 |
"Youth
In Revolt" - Feature
Key 2nd AD - Additional Photogrpahy
The Weinstein Company
Ben Ormand, Line Producer
Lampton Enochs, UPM
Max Day, 1st AD |
| October
- December, 2008 |
"Skateland"
- Feature
Key 2nd AD
Reversal Films
Dominic Cancilla, UPM
Erin Charles, Production Supervisor
Frank Ferro, 1st AD |
| July
- August, 2008 |
"I
Hope They Serve Beer In Hell" - Feature
2nd 2nd AD
Darko Entertainment
Darren Demitri, UPM
Dieter Busch, 1st AD
Mark Carter, 2nd AD |
| May
- June, 2008 |
"Prayers
for Bobby" - TV Movie
Key 2nd AD
Once Upon A Time Films/Lifetime
Chris Danton, Line Producer
Kelle Cragin, UPM
Otto Penzato, 1st AD
|
| January
- April, 2008 |
"Tekken"
- Feature
2nd 2nd AD
Crystal Sky Pictures
Lampton Enochs, UPM
Kim Winther, 1st AD
Eric Yellin, 2nd AD
|
| November
2007 - January 2008 |
"Sordid
Lives: The Series" - Episodic Television
Key 2nd AD
Once Upon A Time Films/LOGO
Line Producer/UPM: Cyndi Brenner
1st AD: Otto Penzato |
| March
- April, 2007 |
"The
Merry Gentleman" - Feature
Key 2nd AD
Line Producer/UPM: Christina Varotsis
1st AD: David Cluck |
| January
- March, 2007 |
"Harold
and Kumar 2" - Feature
Key 2nd AD
Mandate Pictures
Line Producer: Lampton Enochs
UPM: Cyndi Brenner
1st AD: Bruce Terris |
| October
- November, 2006 |
"Alice
Upside Down" - Feature
Key 2nd AD
Alice Producitons, Inc.
Line Producer/UPM: David Peters
1st AD: Ron Dempsey |
| July
- August, 2006 |
"The
Promotion " - Feature
Key 2nd AD
The Weinstein Company
Line Producer/UPM: Christina Varotis
1st AD: Bruce Terris |
| August
- November, 2005 |
"Prison
Break" - TV Series
Dayplayer - Key 2nd/2nd 2nd/Additional 2nd AD
Twentieth Centure Fox |
| June
- August, 2005 |
"Saving
Shiloh" - Feature
Key 2nd Assistant
Director
Line Producer/UPM: Kari O'Reilly
1st AD: Ron Dempsey |
| November
- December, 2004 |
"The
Black Hole" - TV Movie
Additional 2nd Assistant Director
Sci-Fi Channel/Nu Image
Line Producer/UPM: Kari O'Reilly
1st AD: Paul Laurens |
| August
- September, 2003 |
"Outing
Riley" - Feature
Key 2nd Assistant Director
Mothballs, LLC
1st AD: Bruce Terris |
| May
- July, 2003 |
"Keep
Your Distance" - Feature
Key 2nd Assistant Direcyor
Blue and Grey Film Ventures, LLC
UPM: Christina Varotsis
1st AD: Bruce Terris |
| May
- July, 2002 |
"Uncle
Nino" - Feature
2nd 2nd Assistant Director
UPM: Christina Varotsis
1st AD: Bruce Terris
2nd AD: Marie Frick |
| July,
2001 |
"Flying"
- Short
Key 2nd Assistant Director
Bucktown
Pictures/IFP-Chicago
Official Selection Cannes Film Festival
|
|
| |
commercials
and music videos
(selected work)
|
| July,
2007 |
Untitled
- Chinese Commerical
Simon Leung, Director
Tap Root Productions
1st Assistant Director |
| December,
2006 |
"Glade
Plug Ins" - Commercial
Maria Demopoulos, Director
Z-Group/DRAFTFCB/SC Johnson & Company
1st Assistant Director |
| October,
2006 |
"Trapped
In The Closet (Episodes 13-16)" - Music Video
Victor Mignatti/R. Kelly, Directors
FBR Productions
Key 2nd Assistant Director |
| December,
2005 |
"Dodge
- Ram Rash" - Commercial
Paul Cotter, Director
Z-Group/BBDO Detroit/Chrysler
1st Assistant Director |
| April,
2003 |
R. Kelly Musc
Video
Mars Media/Jive Records
2nd 2nd Assistant Director |
| April,
2003 |
"Ain't it
Man" - Music Video
Cash Mony Millionaires/Palomar
Productions
Key 2nd Assistant Director |
|
| |
film production
assistant experience
(selected
work) |
| January,
2006 |
"Killshot"
- Feature
The Weinstein Company
Key Set PA (Cape Girardeau Unit) |
| April
- June, 2005 |
"Stranger
than Fiction" - Feature
Mandate
Pictures
Key Set PA |
| August
- November, 2004 |
"Glory
Road" - Feature
Disney
Co-Key Set PA |
| March
- May, 2004 |
"The
Weather Man" - Feature
Paramount
Pictures
Set PA |
| January,
2003 |
"Wicker
Park" - Feature
MGM/Lakeshore
Entertainment
Set PA (Chicago) |
| January,
2003 |
"Surviving
Christmas" - Feature
DreamWorks/Tall
Trees
Office PA (Chicago) |
| May
- June, 2001 |
"Stolen
Summer" - Feature
Project
Greenlight
All Nighter, Inc/Live Planet/Miramax
Set PA/Talent Driver |
| May,
2001 |
"Children
On Their Birthdays" - Feature
Crusader Entertainment
Office PA (dayplayer) |
| January
- March, 2001 |
"Relative
Evil" - Feature
Fair Ball Productions/Redeemable
Features
Set PA/Talent Driver |
| May
- June, 2000 |
"Liars
Club" - Feature
Stoney Island
Films
On Set Dresser |
|
| |
internship/education |
| June
- July, 2000 |
Panavision -
Chicago
Camera Department Intern |
| January,
1999 - December, 2000 |
Southern Illinois
University Carbondale
B.A. Cinema and Photography;
December, 2000 |
|
| |
affiliations/union |
| |
Directors Guid of
America (DGA)
Independent Feature Project - Chicago (IFP) |
|
| |
assets/kits |
EP/Movie Magic Scheduling
Final Draft and MM Screenwriter
Microsoft Office w/ production paperwork templates
Macromedia DreamWeaver, Adobe Photoshop, Adobe Acrobat (print
to PDF) |
|
| |
skills |
|
Script Breakdown
and Scheduling
Managing day-to-day set operations
Call Sheets, Production Reports, Extras Breakdowns, Exhibit-G,
etc, etc
Setting natural background (both modern and period)
Comfortable working under financial and resource limitations
on low budget films |
|
| |
references
(contact information available
upon request)
(click on a name for their IMDB profile) |
|
